6,584 Free Artworks of Ornament (art)

metropolitan museum of artdepartment of drawings and prints, metropolitan museum of artthe elisha whittelsey collectionetching printthe international studio, 1922the international studio, 1909woodcutlambert zutman dit suaviusruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utilesla vera perfettione del disegno di varie sorte di ricami (1564)
Deep Sea Fantasy, by Robert Winthrop Chanler, 1897
the international studio, 1922robert winthrop chanler
Gari Melchers – The Two Sisters, Gari Melchers, 1897
gari melchersnaturalism
A Gatherer of Simples, by George Fuller, 1897
the international studio, 1922paintings by george fuller
Alois Hänisch – Schwarzenberg gardens, Alois Hänisch, 1897
the international studio, 1909alois hänisch
International studio (1897) (14754494916), George Romney, 1897
the international studio, 1912rococo
William Orpen - A Spanish woman, William Orpen, 1897
the international studio, 1917william orpen
International studio (1897) (14596545610), Walter Ufer, 1897
paintings of native americans by walter uferthe international studio, 1920
International studio (1897) (14774292541), George Reid, 1897
the international studio, 1912george reid (scottish artist)
William Orpen - Portrait Group, William Orpen, 1897
the international studio, 1909william orpen
Emil Carlsen - Portrait of a Tree, Emil Carlsen, 1897
the international studio, 1922emil carlsen
Obstacle Dance, by Pieter Aertsen, 1897
the international studio, 1917paintings by pieter aertsen
Self portrait by Thomas Sully, Thomas Sully, 1897
the international studio, 1922neoclassicism
Allan Barraud - Sunset, Allan Frederick Barraud, 1897
the international studio, 1909allan frederick barraud
Materials and documents of architecture and sculpture - classified alphabetically (1915) (14587688319), Jean Goujon, 1915
materials and documents of architecture and sculpture - classified alphabetically (1915)jean goujon
“The Third Knot”. Interlaced Roundel with Eight Wreaths and a Scalloped Shield in its Center, Leonardo da Vinci, before 1521
the fifth knot by albrecht dürerhigh renaissance,renaissance
Section and Plan of the Small Dining Room of the Hôtel de Montholon, Jean-Jacques Lequeu, 1785–86
department of drawings and prints, metropolitan museum of arthôtel montholon by jean-jacques lequeu
Section and Plan of the Small Dining Room of the Hôtel de Montholon, Jean-Jacques Lequeu, 1785–86
department of drawings and prints, metropolitan museum of arthôtel montholon by jean-jacques lequeu
Design for a Stage Set: Semi-Circular Architectural Ruins, Fountains, and an Obelisk., Ferdinando Galli-Bibiena, between 1657 and 1743
department of drawings and prints, metropolitan museum of artferdinando galli da bibbiena
Design for a Stage Set: Semi-Circular Architectural Ruins, Fountains, and an Obelisk., Ferdinando Galli-Bibiena, between 1657 and 1743
department of drawings and prints, metropolitan museum of artferdinando galli da bibbiena
Project for the Riding-School of the Horse Guards in Saint Petersburg - Elevation of the Side Entrance, Giacomo Quarenghi, between 1744 and 1817
drawings by giacomo quarenghiclassicism
Oval Case Decorated with Schweifwerk in Two Variants, Surrounded by Smaller Motifs, Flowers and Two Birds Below, Pierre Firens, circa 1614–19
pierre firens ijacques hurtu
Frieze Design with Strapwork and a Satyr holding a Fantastical Creature (recto); Two Candelabra Grotesques (verso), Andrés de Melgar, circa 1545–60
department of drawings and prints, metropolitan museum of artdrawings by andrés de melgar
Frieze Design with Strapwork and a Satyr holding a Fantastical Creature (recto); Two Candelabra Grotesques (verso), Andrés de Melgar, circa 1545–60
department of drawings and prints, metropolitan museum of artdrawings by andrés de melgar
Frieze Design with Strapwork and a Satyr holding a Fantastical Creature (recto); Two Candelabra Grotesques (verso), Andrés de Melgar, circa 1545–60
department of drawings and prints, metropolitan museum of artdrawings by andrés de melgar
Heiliger Martinus, Lucas Cranach the Elder, 1526
wings of the pfirtscher altar by an anonymous master of the workshop of lucas cranach (i) - aschaffenburggerman renaissance
Miroir rond, M.C. 2219(2), Entre 1700 et 1899
collections of musée cernuschibaroque
Miroir rond, M.C. 2219(1), Entre 1700 et 1899
collections of musée cernuschibaroque
International studio (1897) (14590173567), Charles Warren Eaton, 1897
paintings by charles warren eatonthe international studio, 1917
Plate 7: Vase or Ewer Decorated With a Vase Flanked by Putti and Two Large Female figures whose legs morph into griffin claws, from Antique Vases (Vasa a Polydoro Caravagino), Cherubino Alberti, 1605
prints by cherubino albertibaroque
Plate 5: Vase or Ewer with a Double Frieze, the Top shows Men Wrestling a Bull, the Bottom contains a Mask and Two Griffins, from Antique Vases (Vasa a Polydoro Caravagino), Polidoro da Caravaggio, 1605
department of drawings and prints, metropolitan museum of artprints by cherubino alberti
Character and individuality in decorations and furnishings. (1913) (14760996821), 1913
character and individuality in decorations and furnishings (1913)art nouveau
Character and individuality in decorations and furnishings. (1913) (14577534868), 1913
character and individuality in decorations and furnishings (1913)art nouveau
Amphitheater with two groups of soldiers running toward each other; set design from 'Il Pomo D'Oro', Mathäus Küsel, 1668
department of drawings and prints, metropolitan museum of artludovico burnacini
Fireworks celebrating the erection of the Temple of Glory and equestrian statue of Louis le Grand, Paris 1699, Nicolas Guérard
17th-century artwork by unknown artists from francenicolas guerard
Costume Design for 'Fourth Ballet Girl (Fraülein Hochspitz)' (in long beige gown), Percy Anderson, 1901
drawings in the metropolitan museum of artpercy anderson
Design for a Panel with Two Variants containing a Satyr and a Sphynx, from: Panneaux d'ornement, Jacques van Merlen
jacques van merlenjean le pautre
Design for a Fountain with Sea Horses and Triton Base, Basin, Dolphins and Tritons, Three Grotesque heads and Neptune, Battista Franco Veneziano, circa 1550
department of drawings and prints, metropolitan museum of artdrawings by battista franco
Design for a Fountain with Sea Horses and Triton Base, Basin, Dolphins and Tritons, Three Grotesque heads and Neptune, Battista Franco Veneziano, circa 1550
department of drawings and prints, metropolitan museum of artdrawings by battista franco
Design for a Fireplace Surmounted by Sphyxes and Cupid, Title Page from: Nouveaux dessins de cheminées à l'italienne, Nicolas Langlois (I), circa 1640–82
nicolas langloisjean le pautre
Design for a Frieze with Acanthus Scrolls and a Vase with Two Putti in the Center, Gilles-Paul Cauvet, circa 1777
gilles-paul cauvetle roy
Design for a Tabernacle with Two Variants, from: Tabernacles à l'italienne, Jean Leblond, circa 1644–66
jean le pautrejean leblond i
Plate 3: The Marriage of Henry IV and Marie de Medici, from Caspar Barlaeus, "Medicea Hospes", Claes Corneliszoon Moeyaert, 1638
department of drawings and prints, metropolitan museum of artengravings by nicolaes moeyaert
Triumphal arch erected in honor of Cardinal Mazarin after the Treaty of the Pyrenees, François Chauveau, circa 1664–5
department of drawings and prints, metropolitan museum of artfrançois chauveau
The royal family sitting under a canopy, watching dancers perform the final ballet of 'La Costanza d'Ulisse', Johann Ulrich Kraus, circa 1700
johann ulrich kraußludovico burnacini
Stage design with allegorical figures; from 'L'Idea di tutti le perfezioni ... Piacenza', Carlo Antonio Forti, circa 1690
department of drawings and prints, metropolitan museum of artcarlo antonio forti
Marsh of Triton; figures battling as Minerva looks on from above; set design from 'Il Pomo D'Oro', Mathäus Küsel, 1668
department of drawings and prints, metropolitan museum of artludovico burnacini
Treasury House, 10 Downing Street, London: Plan of the First-floor Parlor (Northeast Corner Room), William Kent, circa 1732–42
william kentisaac ware
Flower Of Every Virtue For The Noble And Honest Matron, title page (recto), Isabella Parasole, 1610
woodcuts by isabella parasole in the metropolitan museum of artfiore d'ogni virtu per le nobili et honeste matrone
The Singular and New Portraits... Part I title page (verso), Federico de Vinciolo, 1588
les singuliers et nouveaux pourtraicts et ouvrages de lingerie (1587)department of drawings and prints, metropolitan museum of art
Ruins of a Basilica (?) from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles', Lambert Zutman dit Suavius, circa 1572
department of drawings and prints, metropolitan museum of artlambert zutman dit suavius
'D' Zuyderkerck', in: Tooneel Der Voornaamste Nederlands Huizen, En Lust Hoven, Naar T Leven Afgebeeld, Carel Allard
tooneel der voornaamste nederlands huizen, en lust hoven, naar t leven afgebeeld door carolus allardcarolus allard
Ruin of a Palace Facade [Palatium M. Agrippa] from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles', Lambert Zutman dit Suavius, circa 1572
lambert zutman dit suaviusmaster g.a.
Building [Aerarii Publici Rome] from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles', Lambert Zutman dit Suavius, circa 1572
lambert zutman dit suaviusmaster g.a.
Half of Building [Templum Saturni] from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles', Lambert Zutman dit Suavius, circa 1572
lambert zutman dit suaviusmaster g.a.
Half of an Arch [Porta Antonae] from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles', Lambert Zutman dit Suavius, circa 1572
lambert zutman dit suaviusmaster g.a.
Partial view of a Building [Sepulchrum Adriani] from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles', Lambert Zutman dit Suavius, circa 1572
lambert zutman dit suaviusmaster g.a.
Partial view of a Building [Templum Veneris] from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles', Lambert Zutman dit Suavius, circa 1572
lambert zutman dit suaviusmaster g.a.
Various Grotesque Figure Studies and a Strapwork Cartouche (recto); Grotesque with Two Figures and Mask; and A Kneeling Cleric (verso), Andrés de Melgar, circa 1545–60
drawings in the metropolitan museum of artdrawings by andrés de melgar
Partial View of a Monument [Mercurii Templum] from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles', Lambert Zutman dit Suavius, circa 1572
lambert zutman dit suaviusmaster g.a.
Various Grotesque Figure Studies and a Strapwork Cartouche (recto); Grotesque with Two Figures and Mask; and A Kneeling Cleric (verso), Andrés de Melgar, circa 1545–60
drawings in the metropolitan museum of artdrawings by andrés de melgar
Various Grotesque Figure Studies and a Strapwork Cartouche (recto); Grotesque with Two Figures and Mask; and A Kneeling Cleric (verso), Andrés de Melgar, circa 1545–60
drawings in the metropolitan museum of artdrawings by andrés de melgar
At The Spring, by Arnold Böcklin, 1897
the international studio, 1909symbolism
Frederick George Cotman – An Ancient Fort in Suffolk, Frederick George Cotman, 1897
the international studio, 1909frederick george cotman
Multiple Youth, by Arthur B. Davies, 1897
the international studio, 1922ashcan school
Design for the Frame of a Funerary Plaque with the Coat of Arms of Roger II de Saint Lary, Duc de Bellegarde, Étienne Martellange, circa 1619–30
department of drawings and prints, metropolitan museum of artétienne martellange
Design for the Frame of a Funerary Plaque with the Coat of Arms of Roger II de Saint Lary, Duc de Bellegarde, Étienne Martellange, circa 1619–30
department of drawings and prints, metropolitan museum of artétienne martellange
Design for the Frame of a Funerary Plaque with the Coat of Arms of Roger II de Saint Lary, Duc de Bellegarde, Étienne Martellange, circa 1619–30
department of drawings and prints, metropolitan museum of artétienne martellange
Plate 25: Philip crowned King of Spain by his father, Charles V; from Guillielmus Becanus's 'Serenissimi Principis Ferdinandi, Hispaniarum Infantis...', Antoon van der Does, 1636
department of drawings and prints, metropolitan museum of artanton van der does
Plate 1: Ferdinand as Mars, standing on a pedestal; from Guillielmus Becanus's 'Serenissimi Principis Ferdinandi, Hispaniarum Infantis...', Pieter de Jode II, 1636
department of drawings and prints, metropolitan museum of artpieter de jode (ii)
Peleus and Talamon, from the series 'Vessels of the Argonauts,' for the wedding celebration of Cosimo de' Medici in Florence, 1608, Remigio Cantagallina
department of drawings and prints, metropolitan museum of artremigio cantagallina
Seated Young Peasant Woman Holding a Jug, from Nouveau Livre de diverse Figures (New Book of Various Figures), François Boucher, 1751
prints by françois boucherrococo
View of the Roman Forum, looking toward the Palatine Hill, from the series 'The Small book of Roman ruins and buildings' (Operum antiquorum romanorum), Hieronymus Cock, 1562
hieronymus cockrenaissance
Plate 10: Lidded Vase With a Handle in the Shape of a Griffin and A Frieze With Draped Dancing Figures, from Antique Vases (Vasa a Polydoro Caravagino’), Cherubino Alberti, 1605
prints by cherubino albertibaroque
Vrouw, man en kinderen in chinoiserie-stijl, RP-T-1898-A-3933, Abraham van Strij, between 1763 and 1826
drawings by abraham van strij in the rijksmuseum amsterdamwatercolor paintings in the rijksmuseum amsterdam
Pijprokende zwarte man in een lijst met ornamenten, RP-P-OB-51.987, Bernard Picart, between 1683 and 1783
prints after bernard picart in the rijksmuseum amsterdamornament prints in the rijksmuseum amsterdam
Ornament met twee putti met lauwerkrans en fruitmand, RP-P-OB-57.004, Bernard Picart, 1729
prints after bernard picart in the rijksmuseum amsterdamprints by bernard picart in the rijksmuseum amsterdam
Edward Arthur Walton - The Farm, Edward Arthur Walton, 1897
the international studio, 1909edward arthur walton
Girl Driving Turkeys, by George Fuller, 1897
the international studio, 1922paintings by george fuller
Jean Francis Auburtin - L'Essor, Jean Francis Auburtin, 1897
the international studio, 1909symbolism
The Verdict, by Jean-Louis Forain, 1897
the international studio, 1922paintings by jean-louis forain
International studio (1897) (14596288950), George Gardner Symons, 1897
the international studio, 1920george gardner symons
Hauling Ice by Paul King, Paul King, 1897
the international studio, 1917paul king (artist)
Master Paget, by John Hoppner, 1897
male portrait paintings by john hoppnerthe international studio, 1922
Steel - Edgar Thomson Works, by Joseph Pennell, 1897
the international studio, 1909joseph pennell
Eugène Laermans - Le Famille, Eugène Laermans, 1897
the international studio, 1922paintings by eugène laermans
Violence, by Arthur B. Davis, 1897
paintings by arthur b. daviesashcan school
Watering Horses, by Giovanni Segantini, 1897
the international studio, 1922pointillism,symbolism
Sketch for 'The dawning', by Arthur B. Davies, 1897
the international studio, 1922ashcan school
International studio (1897) (14581482389), Edmond Aman-Jean, 1897
paintings by edmond aman-jeansymbolism
Adrian Stokes - Twilight in the Birches, Adrian Scott Stokes, 1897
the international studio, 1909adrian scott stokes
Joseph E. Southall - The Daughter of Herodias (bw), Joseph Southall, 1897
the international studio, 1917joseph southall
Ascension of Christ (Acts I, 1–9): Study for stained-glass window, Edward Burne-Jones, circa 1875–84
pre-raphaelite brotherhood,symbolismdrawings by edward burne-jones
The True Perfection of the Design of Various Sorts of Embroidery, page 19 (verso), Giuseppe Porta, 1567
la vera perfettione del disegno di varie sorte di ricami (1564)department of drawings and prints, metropolitan museum of art
The True Perfection of the Design of various types of embroidery, page 2 (recto), Giuseppe Porta, 1567
la vera perfettione del disegno di varie sorte di ricami (1564)department of drawings and prints, metropolitan museum of art
The True Perfection of the Design of various types of embroidery, page 17 (recto), Giuseppe Porta, 1567
la vera perfettione del disegno di varie sorte di ricami (1564)department of drawings and prints, metropolitan museum of art
The True Perfection of the Design of Various Sorts of Embroidery, page 11 (verso), Giuseppe Porta, 1567
la vera perfettione del disegno di varie sorte di ricami (1564)department of drawings and prints, metropolitan museum of art
The True Perfection of the Design of various types of embroidery, page 13 (recto), Giuseppe Porta, 1567
la vera perfettione del disegno di varie sorte di ricami (1564)department of drawings and prints, metropolitan museum of art
The True Perfection of the Design of various types of embroidery, page 22 (recto), Giuseppe Porta, 1567
la vera perfettione del disegno di varie sorte di ricami (1564)department of drawings and prints, metropolitan museum of art
The True Perfection of the Design of various types of embroidery, page 20 (recto), Giuseppe Porta, 1567
la vera perfettione del disegno di varie sorte di ricami (1564)department of drawings and prints, metropolitan museum of art
The True Perfection of the Design of various types of embroidery, page 15 (recto), Giuseppe Porta, 1567
la vera perfettione del disegno di varie sorte di ricami (1564)department of drawings and prints, metropolitan museum of art
4201 - 4300 of 6,584 Next page
/ 66